Crime and Punishment: Avoiding Punishment is Futile Essay -- Crime and

Avoiding punishment is futile. Whether in the form of seemly trials or through guilt, every person will come lawsuit to face with the consequences of their actions. Avoiding suffering only causes it to intensify. This is mainly demonstrated through Svidrigailov and Raskolnikov in the end of Crime and punishment. Both men had been eluding their various torments and they achieve the vanity of their avoidance after receiving crushing mental blows. Raskolnikov and Svidrigailov realize that the succession has come to recognize suffering and responsibility for previous actions. Raskolnikovs inability to hide his guilt shines through in his actions. When trying to defend his whiteness against Porfiry he utters childish defenses. His suffering has consumed him and he ran out of breathing room, nearly choking (541) as the intercourse traversed into uncomfortable matters. The connotation here of choking reveals how deep Raskolnikovs inner pain has bore into him and the effe ct of it weighing set ashore his lungs. Furthermore, his refusal of this opportunity given by Porfiry to take his punishment clearly demonstrates how Raskolnikovs every action is now affected directly by his airflow. logically he should realize his game is up, yet his pride and brains suffocation are so high he cannot comprehend sensibly. He sputters out his sentences, pausing, and gasping. On a deeper level his brain function is as well as affected by the oxygen flow. This is clearly conveyed by his callous doings and lack of thought to his future endeavors. His desire to avoid discipline is dimming as he realizes his time to receive punishment is approaching. Preceding his nerve-rattling last conversation with Porfiry, Raskolnikov seems to be lost and disoriented. Ter... ...s well. However this journey does not involve tangible death. It involves going to the police bureau he once feared and confessing his crime. Although he lacks breath and feels faint he is at last abl e to recount the details in entirety and his self-inflicted suffering ends to be followed by formal punishment, or a clearly defined air. Coming to terms with other(prenominal) mistakes and accepting their consequences is an agonizing process. Admitting fault for former missteps can seem titanic. authoritarian characters such as Svidrigailov or Raskolnikov find this burdensome. However, in the end, choosing to embark on the journey of acceptance becomes necessary if one chooses to commit wickedness, an act that cosmos must succumb to at some point. In Crime and Punishment this journey also allows the characters suffocating mask to run into allowing them to breathe once more.